Caring for Cultural Material 1
Caring for Cultural Material 2
Damage and Decay
Managing Collections
Managing People
Handling, Transportation, Storage and Display
Glossary
Index
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Caring for Cultural Material 1
In this volume:
arrow Paper
Books
Photographs
Paintings
Electronic Information Media
Acknowledgments

Paper
In this chapter:
Objectives
Introduction
Paper in collections
What is paper?
Ingredients and properties of paper
What are the most common types of damage?
Common causes of damage
The do’s and don’ts of handling flat paper
The do’s and don’ts of repair and labelling
Guidelines for storing and displaying flat paper
Materials suitable for the storage and display of paper
Preparing flat paper for storage
Housing flat paper
Mounting/hinging flat paper
Protective enclosures for flat paper
Storage boxes for flat paper
arrow Displaying flat paper
Framing flat paper items
Paper items with special needs
Papyrus and Parchment
Some miscellaneous information
Summary of conditions for storage and display
Paper in Australia’s climatic zones
  MORE ABOUT PAPER
Cellulose fibres and paper quality
Acidity and alkalinity
For further reading
Self-evaluation quiz
Answers to self-evaluation quiz

 

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Paper

Displaying flat paper

Framing is used to display works of art on paper and many other types of flat paper items.

Unframed materials can be displayed in a number of ways including:

  • in display cases;

  • in their mounts. If the mounted items are not in display cases, their surface can be protected by placing slip-sheets of polyester under the window mount;

  • in their encapsulations;

  • on mount board. The items can be held firmly in place on the board, with photocorners or with strips of Mylar across each corner;

  • on mount board and covered completely with Mylar. The Mylar can be attached to the board with double-side tape, either on the front or on the back of the mount board; and

  • mounted and/or enclosed material can be held vertically onto display boards using acrylic clips or strips of Mylar across each corner. Never pin through an item or its housing.

Click here to see diagram

Click here to see diagram

CAUTION:
Items that are particularly vulnerable to light need to be protected. They can be covered by black-out cloths when not being viewed.

image black-out cloth
The black-out cloth needs to be lifted only when the work is being looked at.

Photograph courtesy of the Ian Potter Art Conservation Service, University of Melbourne

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