Caring for Cultural Material 1
Caring for Cultural Material 2
Damage and Decay
Managing Collections
Managing People
Handling, Transportation, Storage and Display
Glossary
Index
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Caring for Cultural Material 1
In this volume:
Paper
Books
Photographs
arrow Paintings
Electronic Information Media
Acknowledgments

Paintings
In this chapter:
Objectives
Introduction
Structure of paintings
What are the most common types and causes of damage?
The do's and don'ts of handling paintings
Framing paintings
Hanging paintings securely
Ideal conditions for the storage and display of paintings
General storage and display guidelines
arrow Summary of conditions for the storage and display
Paintings in Australia's climatic zones
  MORE ABOUT PAINTINGS
Keying out
What can go wrong with a stretcher and what you can do
Handling straps
Labels and inscriptions
For further reading
Self-evaluation quiz
Answers to self-evaluation quiz

 

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Paintings

Summary of conditions for storage and display

Summary of conditions for storage and display
  Storage Display
Temperature 18–22ºC 18–22ºC
Relative Humidity 45–55%RH 45–55%RH
Brightness of the Light Dark storage preferred, but if light is present it should not be higher than 250 lux. Should be higher than 250 lux.
UV Content of Light Dark storage is preferred but if light is present, UV content should be and no greater than 75 µW/lm and preferably below 30 µW/lm. No greater than 75 µW/lm, preferably below 30µW/lm.

 

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