Caring for Cultural Material 1

Caring for Cultural Material 2

Damage and Decay

Managing Collections

Managing People

Handling, Transportation, Storage and Display

Glossary

Index

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Caring for Cultural Material 1
In this volume:
Paper
Books
Photographs
arrow Paintings
Electronic Information Media
Acknowledgments

Paintings
In this chapter:
Objectives
Introduction
Structure of paintings
What are the most common types and causes of damage?
The do's and don'ts of handling paintings
Framing paintings
Hanging paintings securely
Ideal conditions for the storage and display of paintings
General storage and display guidelines
Summary of conditions for the storage and display
Paintings in Australia's climatic zones
  MORE ABOUT PAINTINGS
arrow Keying out
What can go wrong with a stretcher and what you can do
Handling straps
Labels and inscriptions
For further reading
Self-evaluation quiz
Answers to self-evaluation quiz

 

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Paintings

Keying out

There are a number of problems which can arise when a work is keyed out. For this reason you should never attempt to key out a work unless you have been trained to do this properly by a conservator and you are aware of potential problems.

Older canvases can be extremely brittle and may tear at the corners, or elsewhere along the rollover or tacking edge.

Some paintings which have been distorted over a period of time may have a very strong plastic memory in their canvas or paint layers and keying them out may cause severe stress with cracking and even cleavage and flaking in the stressed areas.

You should carefully consider the strength of the adhesion on mixed-media works such as collage, which may delaminate with movement of the canvas.

 

 

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