Caring for Cultural Material 1
Caring for Cultural Material 2
Damage and Decay
Managing Collections
Managing People
Handling, Transportation, Storage and Display
Glossary
Index
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Caring for Cultural Material 1
In this volume:
– Paper
– Books
– Photographs
arrow Paintings
– Electronic Information Media
– Acknowledgments

Paintings
In this chapter:
– Objectives
– Introduction
– Structure of paintings
– What are the most common types and causes of damage?
– The do's and don'ts of handling paintings
– Framing paintings
– Hanging paintings securely
– Ideal conditions for the storage and display of paintings
– General storage and display guidelines
– Summary of conditions for the storage and display
– Paintings in Australia's climatic zones
  MORE ABOUT PAINTINGS
– Keying out
arrow What can go wrong with a stretcher and what you can do
– Handling straps
– Labels and inscriptions
– For further reading
– Self-evaluation quiz
– Answers to self-evaluation quiz

 

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Paintings

What can go wrong with a stretcher and what you can do?

As the purpose of the stretcher is to ensure that the canvas is kept taut, it is obvious that a stretcher which can no longer be keyed out is not performing its function properly.

One of the most common reasons for a stretcher to fail is that the keys become damaged-with the protruding end breaking off and the remainder of the key becoming lodged in the keyhole. The removal of the remnants of the key is usually a job for a conservator, because it involves separating the two stretcher members.

In some cases, a stretcher will not remain keyed out and keeps pulling back. If the reason for this is not clear—such as material caught in the key holes—you should consult a conservator.

Sometimes stretchers warp and the temptation is to replace them. If, however, the canvas has taken on the plastic memory of the warped stretcher shape, then replacing the warped member with a straight one may cause more problems than it solves. If in doubt, consult a conservator.

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