Caring for Cultural Material 1

Caring for Cultural Material 2

Damage and Decay

Managing Collections

Managing People

Handling, Transportation, Storage and Display

Glossary

Index

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Caring for Cultural Material 1
In this volume:
Paper
Books
Photographs
arrow Paintings
Electronic Information Media
Acknowledgments

Paintings
In this chapter:
Objectives
Introduction
Structure of paintings
What are the most common types and causes of damage?
The do's and don'ts of handling paintings
Framing paintings
Hanging paintings securely
Ideal conditions for the storage and display of paintings
General storage and display guidelines
Summary of conditions for the storage and display
Paintings in Australia's climatic zones
  MORE ABOUT PAINTINGS
Keying out
What can go wrong with a stretcher and what you can do
Handling straps
Labels and inscriptions
For further reading
Self-evaluation quiz
arrow Answers to self-evaluation quiz

 

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Paintings

Answers to self-evaluation quiz

Question 1.

Answer: d).

Question 2.

Answer: a), d) and e) are true. b) is false. There is a difference between a stretcher and a strainer. A stretcher can be keyed out to tighten the canvas, whereas a strainer cannot. c) is false. The varnish layer protects the paint layer and gives the paint colours a richer appearance.

Question 3.

Answer: e).

Question 4.

Answer: b) and d) are false.

Question 5.

Answer: e).

Question 6.

Answer: b), c) and d) are correct. a) is incorrect. Nails should not be used to fix paintings into a frame, because hammering them in causes vibration which could lead to considerable damage.

Question 7.

Answer: a), b), c), d) and e) are all true.

Question 8.

Answer: c).

Question 9.

Answer: a), c) and d). b) is not correct. If paintings are to be stored against walls, you should ensure that they are placed on padded blocks to take them off the floor level, and ensure that they are not near heavy traffic areas, because they could be damaged as people walk past them or if people drop things on them.

 

 

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