Caring for Cultural Material 1

Caring for Cultural Material 2

Damage and Decay

Managing Collections

Managing People

Handling, Transportation, Storage and Display

Glossary

Index

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Caring for Cultural Material 2
In this volume:
arrow Textiles
Leather
Wood
Aboriginal and Torres Strait Islander Cultural Material
Metals
Outdoor Collections
Acknowledgments

TEXTILES
In this chapter:
Objectives
Introduction
What do we mean by textiles?
What are the most common types of damage?
Common causes of damage
The do's and don'ts of handling textiles
The do's and don'ts of labelling textiles
Historical costumes—why they should not be worn
Storing textiles
Storing accessories
The best materials for storing and displaying textiles
Displaying textiles
arrow Open hanging methods for flat textiles
Displaying historic costume
Cleaning textiles
Summary of conditions for storage and display
Textiles in Australia's climatic zones
  MORE ABOUT TEXTILES
A note on the use of Tyvek
Selecting fabrics, threads and stitches for textile conservation
For further reading
Self-evaluation quiz
Answers to self-evaluation quiz

 

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TEXTILES

Open hanging methods for flat textiles

It is best for textiles to be fully supported and protected with mounts and frames. But there are types of textiles that are better suited to open display, for example, large flat textiles.

The following open display methods are quite easy and give your textiles adequate support while on display.

Hanging textiles using Velcro

Velcro hook and loop tape can be used very successfully to hang textiles for display. But Velcro can be used to display only some types of textiles. The textiles need to be strong and in good condition.

This method is best suited to fairly thick types of textiles such as tapestries and quilts. It is not suited to fine fabrics like sheer silks or lace.

First, machine sew the soft side of the Velcro to herringbone cotton tape; this makes the Velcro easier to hand-sew to the textile and avoids the Velcro being attached directly to items.

Position the Velcro and herringbone tape straight across the top of the textile and hand-sew it to the textile. It is important that the stitching goes through all layers of the textile. If the stitching does not go right through all layers, some layers will bear all the weight and others will eventually sag. The top edge will be damaged and distorted.

image of tape

Velcro and herringbone tape attached to the back of a textile.

Photograph courtesy of Artlab Australia

Click here to see diagram

Click here to see diagram

CAUTION:
Do not machine sew Velcro to your valued textiles because machine-sewing creates perforations, which can be a line of weakness.

Tack or staple the hard side of the Velcro to a wooden bar of sufficient size and strength to bear the weight of the textile. Make sure there are enough tacks or staples to bear the weight of the item which is to be hung for display. Once this is done, the bar can be hung in position.

Then attach the textile to the bar by aligning the two halves of the Velcro system.

If the textile does not hang straight or flat at first, the Velcro enables you to adjust the top edge and alter the hang of the textile.

Heading cloth

Another method for hanging textiles is to use a heading cloth. This method is suitable only for textiles in very good condition, and is more suited to lightweight fabrics.

image of sari

This sari is rolled for storage, but in the foreground is a heading cloth which has been attached so it can be hung for display.

Photograph courtesy of Artlab Australia reproduced with the permission of the History Trust of South Australia

Using running stitch, attach a strip of fabric to the underside of the textile you wish to display. The strip of fabric should extend well under the textile to ensure adequate support, and extend beyond the top of the fabric by at least 500mm.

Use herringbone stitch to attach the heading cloth to the top and sides of the textile if it has frayed edges.

To hang the textile for display, attach it to a round, wooden batten, which must first be sealed with acrylic paint to prevent damaging acids transferring to the textile.

Once the paint is fully dry and cured, the heading cloth is rolled around the batten until the top of the textile is level with the batten. The heading cloth is stapled to the batten using stainless steel staples. See diagram.

The batten can then be attached to the wall with fittings such as threaded eyelets screwed into the ends of the batten.

Click here to see diagram

Click here to see diagram

The back of a textile can be protected using a loose lining. This is particularly important if the wall the textile hangs against is very rough or dusty. A lining is made slightly smaller than the textile, and hangs between it and the wall. It can be attached to the dowel or bar used for hanging the textile.

For more information
For information about stitches, please see the section More About Textiles later in this chapter.

 

 

 

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