Caring for Cultural Material 1

Caring for Cultural Material 2

Damage and Decay

Managing Collections

Managing People

Handling, Transportation, Storage and Display

Glossary

Index

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Caring for Cultural Material 2
In this volume:
Textiles
Leather
Wood
arrow Aboriginal and Torres Strait Islander Cultural Material
Metals
Outdoor Collections
Acknowledgments

Aboriginal and Torres Strait Islander Cultural Material
In this chapter:
Objectives
Introduction
Previous Possessions, New Obligations—a national policy
Aboriginal and Torres Strait Islander heritage items in collections
What are the most common types and causes of damage?
Common causes of damage
The do's and don'ts of handling Aboriginal and Torres Strait Islander heritage items
Storing and displaying Aboriginal and Torres Strait Islander heritage items
Care of bark paintings
Care of items made from fibres
Care of wooden objects
Natural adhesives and cements
Paint media on canvas and paper
Aboriginal and Torres Strait Islander heritage items in Australia's climatic zones
  MORE ABOUT ABORIGINAL AND TORRES STRAIT ISLANDER HERITAGE ITEMS
Additional information on Previous Possessions, New Obligations—a national policy
Mould on objects
Mounting bark paintings
For further reading
arrow Self-evaluation quiz
Answers to self-evaluation quiz

 

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Aboriginal and Torres Strait Islander Cultural Material

Self-evaluation quiz

Question 1.

Which of the types of damage to Aboriginal and Torres Strait Islander heritage items listed below are caused directly by extremes or fluctuations in relative humidity?

a) Splitting and curling of bark paintings.

b) Creasing and tearing of works on paper.

c) Cracking of wood.

d) Dimensional change leading to paint loss.

e) None of the above.

Question 2.

Which of the following statements are true?

a) Items that are at risk of drying out too quickly should be stored at 65%RH or above.

b) Mould grows when the relative humidity is continuously above 65%.

c) Fluctuations in relative humidity don't matter because they will not result in damage.

d) Items that are acclimatised to drier conditions should be kept in an environment where the relative humidity is in the range of 45-55%.

Question 3.

Which of the following factors should you take into account when considering the display of Aboriginal and Torres Strait Islander heritage items?

a) Whether the materials are sensitive to damage from light and/or UV radiation.

b) Whether the display of particular items is culturally appropriate.

c) Whether the items are likely to fade or discolour.

d) Whether you are able to rotate light-sensitive exhibits, to reduce the display-time per item.

e) All of the above.

Question 4.

What would you look for if you find fine wood powder on the floor near an object?

a) Light damage.

b) Mould growth.

c) Insect infestation.

d) Unsupported objects.

Question 5.

Which of the following statements is false?

a) If an item has been stored for a considerable time in a tropical environment it should be placed in a much drier environment as soon as possible to prolong its life.

b) Covering objects in storage protects them from dust and unnecessary exposure to light.

c) Bark paintings should be stored flat, and any curved or warped areas supported with polystyrene-filled cotton bags or something similar.

d) Woven material such as pandanus, bark string bags and baskets should be well supported on the inside with Dacron-filled, cotton bags.

 

 

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