Caring for Cultural Material 1

Caring for Cultural Material 2

Damage and Decay

Managing Collections

Managing People

Handling, Transportation, Storage and Display

Glossary

Index

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Damage and Decay
In this volume:
Light and Ultraviolet Radiation
arrow Humidity and Temperature
Biological Pests
Dust and Pollutants
Common Deterioration Processes
Acknowledgments

Humidity and Temperature
In this chapter:
Objectives
Introduction
What is relative humidity?
How does relative humidity change?
Why worry about relative humidity and temperature?
Can the damage be prevented?
Identifying the source of the problem
What can be done to minimise damage?
Modifying the conditions in buildings
A word of caution about travelling exhibitions and loans
In an ideal world …
Australia’s climatic zones
  MORE ABOUT RELATIVE HUMIDITY AND TEMPERATURE
Measuring relative humidity
Dehumidifiers
Humidifiers and steam generators
arrow The use of silica gel
For further reading
Self-evaluation quiz
Answers to self-evaluation quiz

 

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Humidity and Temperature

The use of silica gel

Individual display cases can act as buffer zones, and maintain humidity at reasonably constant levels—provided the temperature does not vary greatly. However, fluctuations can occur and it is sometimes necessary to use buffering materials: silica gel, for example.

Silica gel is often seen as a simple solution to environmental problems. In some museums and galleries, small bags of silica gel are placed in display cases and left there permanently. Unfortunately, this has almost no effect.

Using silica gel is not simple. The calculation used to determine the amount of silica gel required is complex. It involves a knowledge of the daily rate of air-changes in the case, the local humidity conditions and the volume of the case.

The amount of silica gel required is far more than most people imagine. The amount required can range from approximately 7kg/m3 to about 20kg/m3, depending on conditions. This is a lot of silica gel.

image of blue silica gel

The dish of blue silica gel is ready for use. It will absorb moisture and so remove water from the atmosphere. When silica gel has absorbed all the water it can, it turns pink. When the silica gel is pink, it needs to be reconditioned

Photograph courtesy of Artlab Australia

Silica gel also needs to be reconditioned, because it absorbs water and retains it. The silica gel has to be removed from the case and reconditioned—usually by heating in an oven—and then put back in the case. You may need two batches of silica gel, so that when you are reconditioning one, the other is in the case.

Display cases that are to contain silica gel should ideally have separate compartments: one for the object and one for the silica gel; and there should be air flow between these compartments.

CAUTION:
If you use silica gel in its granulated form, it is advisable to wear a dust mask.

If you have a problem relating to temperature and humidity and how to manage it correctly for the preservation of your important objects, contact a conservator. Conservators can offer advice and practical solutions.

 

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